The duration of the exclusive option, as a rule, from 12 to 18 months with at least one pre-agreed extension for an additional period of 12 to 18 months in the event of payment of an additional fee or in the event of proven progress in the manufacture of the lm. The idea of an option agreement seems great. This is a small risky opportunity where well-connected professionals come on the pitch and promote your scenario and deal with all the intimidating things. You also need to remember the secondary rights that we talked about earlier. If you create a spin-off of your project, the author also wants a share of these gains. The net participation of these ancillary projects is generally less than the net share of the original`s profits. It is essential to agree on this point at the beginning. The same applies to all other secondary rights that you acquire, as most authors will insist that they participate in all related projects. The manufacturer should also strive to ensure continued interest in the hardware beyond the expiry of the option period (usually one year, but often with pre-negotiated extensions based on new payments or progress in the development of the im,. B such as the installation of a manager or distribution or the guarantee of distribution). If a producer invests time and money in the development of the equipment, he should reap a portion of the profits one month after the expiration of the option, the lm should start producing with another producer.
As a starting point for a distributor`s confirmation of the title chain, they ensure that the option is properly documented, that it contains all the rights necessary to operate the finished film and that it has been properly exercised, i.e. that the payment has not expired, that the payment has been made and that all authors have been duly credited. This option is an exclusive right and should include all the rights necessary to create and release the film in all media around the world on the basis of material, or for the maximum copyright period authorized by local copyright. You also need to think about secondary rights. What do you plan to do with this project once you`ve finished your film or series? Perhaps you would like to develop a piece or create amazing goods. They will at least want the freedom to develop swarms, including sequels and prequels. It is worth knowing before contacting the rights holder so that you can justify what you are asking for. Many authors dream that one day their story or screenplay will arouse the interest of someone who wants to turn it into a film or television project. In general, the first step is when someone, perhaps a producer or a production company or even a studio, offers the author a contract known as an option contract.